It is the task of art to undo the work of our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits…making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us. Marcel Proust
Romans 8:25
Ideology is said to be the beliefs and symbols that serve to interpret social reality. Those energies motivate everything from spiritual renewal & political action to artistic expression. We are currently experiencing the shift from one ideology to another and the differences in narrative symbols and beliefs represents a revolutionary time for artists. The collective imagination is often captured by a dominant ideology to the point where much of life and its fullness becomes attenuated or deadened.
What brings back to life the wounded imagination and inspiration such that life’s challenges and setbacks are met with innovation and inventiveness? What can rekindle ingenuity and original thinking and begin to articulate a dream of the future?
Many in the arts community see the act of creativity as a necessity for life’s journey. Real transformation, be it societal or personal, needs a driving energy and resilience to conceive and fashion a world where truth and goodness go hand in hand with beauty. We need the joy of the Twyla Tharp’s dance but we need a world where there is a decent job for everyone willing to work. We need the power of words and poetry be it street rimes of Common or The Roots as well as the melodious sonnets of Elizabeth Barrett Browning or William Wordsworth. But we also need adequate health care for the elderly and the children. We need the sensual exuberance of Frida Kahlo or the Cirque de Soleil, but we also need a clean and healthy environment.
As we move from a time of seeming toxic messages and images to a new page or canvas, there is a spiritual audacity needed to enter this new space. Some say that hope is a core resonance of creativity. It is out of this space that regressive dogmas are returned to transcendent narrative myths which then become life giving rather than death inducing. These legends and symbols expand the world and enliven dialogue and conversation as well as redemption. This re- imaginative act offers hope as an artistic healing force. Although seemingly fragile to the pragmatist and realist, this response to the foundational beauty in creation and one another honors the transformation that is fostered and engender in the creative act. Far from fragile, the force and vigor of imaginative hope swallow up mere optimism and go straight after meaninglessness and depression. This kind of potent conviction redeems the impoverished world of ideas and symbols to new possibilities and a dynamic spiritual life.
As the imagination becomes restored to its rightful exuberance, aspirations become common place. Great anticipation sits with the elders in the town square. Desire is rekindled in the hearts of lovers. Dreams once again reveal the prophetic and the expectation of even the old is to faith and the possibilities of what many deem the original blessing – the ability to create.
